|
''The New Journalism'' is a 1973 anthology of journalism edited by Tom Wolfe and E. W. Johnson. The book is both a manifesto for a new type of journalism by Wolfe, and a collection of examples of New Journalism by American writers, covering a variety of subjects from the frivolous (baton twirling competitions) to the deadly serious (the Vietnam War). The pieces are notable because they do not conform to the standard dispassionate and even-handed model of journalism. Rather they incorporate literary devices usually only found in fictional works. ==Manifesto== The first section of the book consists of four previously published texts by Wolfe: ''The Feature Game'' and ''Like a Novel'' (published as ''The Birth of “The New Journalism”: An Eyewitness Report'' and ''The New Journalism: A la Recherche des Whichy Thickets'', in the ''New York Magazine,'' on February 14 and February 21, 1972); ''Seizing the Power'' and ''Appendix'' (published as ''Why They Aren't Writing the Great American Novel Anymore'', in ''Esquire'', December 1972). The text is a diatribe against the American novel which Wolfe sees as having hit a dead end by moving away from realism, and his opinion that journalism is much more relevant. In effect, his manifesto is for mixing journalism with literary techniques to document in a more effective way than the novel. These techniques were most likely inspired by writers of social realism, such as Émile Zola and Charles Dickens. His manifesto for New Journalism (although he had no great affection for the term) has four main points. *Scene by scene construction. Rather than rely on second-hand accounts and background information, Wolfe considers it necessary for the journalist to witness events first hand, and to recreate them for the reader. *Dialogue. By recording dialogue as fully as possible, the journalist is not only reporting words, but defining and establishing character, as well as involving the reader. *The third person. Instead of simply reporting the facts, the journalist has to give the reader a real feeling of the events and people involved. One technique for achieving this is to treat the protagonists like characters in a novel. What is their motivation? What are they thinking? *Status details. Just as important as the characters and the events, are the surroundings, specifically what people surround themselves with. Wolfe describes these items as the tools for a "social autopsy", so we can see people as they see themselves. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「The New Journalism」の詳細全文を読む スポンサード リンク
|